Tom Hardy Turns Into One of the Most Violent Criminals in History — His Performance in This True Crime Drama Will Shake You to Your Core and Leave You Speechless

Tom Hardy Turns Into One of the Most Violent Criminals in History — His Performance in This True Crime Drama Will Shake You to Your Core and Leave You Speechless

Tom Hardy is one of the most exciting and engaging actors of the modern cinematic age, and his commitment to roles big and small is utterly captivating. From his incredible physical performance as the titular Max in George Miller’s Mad Max: Fury Road to his terrifying portrayal of the infamous Bane in The Dark Knight Rises, Hardy has made a name for himself as one of the most interesting performers currently working today. Although critics and audiences haven’t always loved his films, he certainly has more hits than misses, and even when he appears in a mediocre film, he gives his performance 100%.

Though he’s most well-known for roles like Eddie Brock in the Venom trilogy, Eames in Inception, and the aforementioned Max Rockatansky, Hardy has also provided moviegoers with some of the most intense and exciting dramatic roles of the 21st century. Smaller films like Locke pushed the envelope of what could be done with the cinematic art form, Legend saw the actor playing two roles at once, and Warrior displayed his physicality like no other. However, perhaps Tom Hardy’s greatest role, and one of the most interesting characters ever put to screen, came in the form of the title character in 2008’s Bronson.

Bronson Is A Low-Fi, Violent Delight

Tom Hardy as Charlie Bronson covered in black paint looks up in Bronson

Director Nicolas Winding Refn, most notable for directing the beloved 2011 crime thriller, Drive, starring Ryan Gosling, previously wowed audiences with his breathtaking portrait of one of the prison system’s most violent inmates — Michael Peterson, aka Charles Bronson. A bizarre, sociopathic man who slips into an alternate personality called Charles Bronson, the central character in Refn’s 2008 film, is an utter joy to watch. Despite his violent tendencies, vicious demeanor, and hate-fueled physicality, Tom Hardy’s Bronson is completely enrapturing, stealing the show every time he appears in frame. Thankfully, Bronson is almost entirely focused on the titular character himself, with the vast majority of the film following him and nobody else as he rampages through a myriad of British prisons.

Much like Nicolas Winding Refn’s other crime films, Bronson is somewhat divisive, even today. Although it is consistently praised for Tom Hardy’s lead performance, as well as its visual and auditory style, Bronson is often misconstrued as being mere style without any real substance. That, however, could not be further from the truth. Although Refn thoroughly enjoys bold style and dramatic formal techniques, many of his films still have a genuine, thematic core. Bronson is not just stylish violence for the sake of it. It instead examines the impact of these things on the individuals involved, as well as on the audience themselves. Much like DriveBronson is not just a simple crime thriller. It’s a ponderous, quiet film about a specific kind of character. It is a character piece first and foremost, and a crime drama secondly.

The music, cinematography, and direction all lend themselves to the overall tone and mood of Bronson, with the titular character constantly showcased in bold contrast, extravagant slow-motion, and long-take shots that showcase his ultimate control and physical dominance over those around him. Bronson, as a character, is terrifically compelling. He’s full of contradictions and confusing patterns and horrific behavior, and it’s such an engaging portrait of this kind of behavior. Bronson doesn’t glorify its lead character, but it also doesn’t quite condemn him either. It strikes a wonderfully compelling balance, and it makes the film all the stronger for it.

Tom Hardy Is At His Best In Physical Roles

Tom Hardy as Charlie Bronson sits among women and his uncle in Bronson

Mad Max: Fury Road is one of the most beloved action movies of the 21st century, and perhaps of all time, and the lead character, played by Hardy, rarely speaks. Much of the film is devoid of any real dialogue, instead allowing the actions and behaviors of the characters to speak for themselves. It’s a wonderful treat for audiences, and it helps the action sequences truly sing. Similarly, Hardy’s portrayal of Bane (while much more dialogue-heavy than Mad Max) is still deeply rooted in the physicality of the character. The ways he walks, stands, and moves his head are all of the utmost importance, and Hardy nails every aspect. He transforms into every role he takes on, and Bronson might just be the finest example of that fact. Hardy is Bronson in the film. He completely sells himself as the manic, violent criminal, and audiences cannot help but be sucked in by his bizarre charisma and gravitas.

Bronson is a raw, unfiltered film. It includes instances of graphic violence, intense language, extended periods of nudity, and a general sense of malice and menace that permeates each minute. The film is, at its core, about the bizarre kinds of passion that exist within the mind of Michael Peterson, aka Charles Bronson. His decisions, both good and bad in the film, are utterly dependent on his constantly shifting emotional state. The things he does, the words he speaks, and the choices he makes throughout Bronson are often confusing, contradictory, and reactionary, and that’s what makes the character so compelling. Bronson is the ultimate display of what Tom Hardy is capable of, and director Nicolas Winding Refn wisely took advantage of that. The film is the perfect symbiosis of director and actor — artists in conversation together, working towards a larger goal.

Some of Refn’s other films have been quite harshly judged by critics and audiences alike. Films like Only God ForgivesThe Neon Demon, and Valhalla Rising were often met with mixed responses. Nicolas Winding Refn’s style isn’t for everyone, and his ambitions in the world of art and cinema aren’t exactly in line with mainstream blockbuster filmmaking, but each of his works feels entirely his own. He is such a particular voice in the world of cinema, and it’s becoming more and more rare these days that directors actually get to showcase their unique styles and voices. The coming together of a director like Refn with an actor like Hardy is utter movie magic, and even though Bronson isn’t nearly as good as something like Mad Max: Fury Road, it’s easily Hardy’s most intense and exciting performance.

Bronson Is An Unforgettable Experience

The Film Stays With Its Audience Long After The Credits Roll

Tom Hardy as Charlie Bronson in his signature sunglasses walks as his drawings fly around him in Bronson

One of the most important things about any film is how it affects its audience after it has ended. Many films are often fun enough while a viewer is in the middle of watching, but then are forgotten shortly thereafter. That isn’t a concern with Nicolas Winding Refn’s Bronson. The film is packed with cerebral, breathtaking imagery, spectacular character moments centered around Tom Hardy’s dynamic performance, and unforgettable usages of music. There’s nothing quite like Bronson, and even in the moments of the film that aren’t specifically “pushing the plot forward”, there’s such a sense of narrative and emotional momentum that propels viewers through the breathtaking story.

Tom Hardy is magnetic as Charlie Bronson, and his violent demeanor perfectly matches the stripped-back, almost muscular nature of the film’s technical aspects. It’s a lean, mean piece of cinematic pulp, and it takes full advantage of its styling and subtextual storytelling. There are very few films like Bronson, and that is a testament to the individual nature of a filmmaker like Nicolas Winding Refn. He might have his detractors, but it’s impossible to deny that he is a singular artist. Whether audiences or critics like his work or not, it is definitely his work. That is the beauty of art, and by extension, the beauty of Bronson. The film is, itself, about expression. It’s about all the terrifying and beautiful and confusing kinds of expression, and it’s about how society takes those expressions in.

Violence, music, sexual frustration, color, performance, money — all these things are facets of human expression, and all of them are, in some way, shape, or form, explored and expressed in Bronson. It’s an utter delight from beginning to end, and if audiences are able to tap into its wavelength, then it’s an utterly unforgettable cinematic experience punctuated by one of the greatest performances of the 21st century. Tom Hardy embodies the title character in a way that is rarely seen on-screen, and he does it with gravitas, physicality, and genuine grace. He is a criminally underrated performer, even with all of the accolades and praise he receives. Hardy is a generational talent, and Bronson is undeniable proof of that fact.